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Bistro Chicken with Shallots

04.11.2016 by J. Doe // Leave a Comment

When she was alive, my grandmother appeared to be behind her times, clinging to her old-fashioned ways of doing things; at home and by hand, she wrung every bit of useful life out of everything that passed through her possession. By current standards, she was a woman ahead of her time, who composted food waste, ate organic food she grew and canned herself, and wasted nothing, recycling and upcycling what she could, and passing along what she could no longer use to someone else, who could make use of it.

She taught me to darn socks, and to crochet lace to trim new curtains made from worn-out sheets; the yarn for the lace came from worn-out sweaters that she unraveled and wound into balls. There was no reason to use something new when you had something perfectly good that could get a job done, which is why I have memories of using a washboard and wringing out wet laundry through the rollers of her tub washer, then running with the dog between lines of laundry hung out to dry in the backyard. Her one concession to modern laundry was a dryer, that she only used during the winter, when clothes would freeze if left outside.

Some of the old technology she preferred, for the simple reason that it did its job better than any modern replacement could. Her cast iron skillet was one of these things; she picked it up for some insignificant sum at a yard sale, and used it for everything, and when she died, I asked if I could have it, and when the estate valued it at similarly insignificant sum, it was given to me.

Along with her pan, I inherited her values: using things as long as they are usable, and for the most part, this works quite well, being an economical approach to living. Modern manufacturing, though, means that it is often not economical to repair things, so using them as long as possible sometimes means using what you can of something and trying not to miss what doesn’t work any more. Our microwave died, feature by feature: the digital display stopped working, but the oven clock could be used for timekeeping; the glass plate was dropped and broke, but a regular plate placed into worked just as well.

The Child grew frustrated, and wanted to replace the microwave with one that had a glass plate and working display, but I held firm: A penny saved is a penny earned, after all. The microwave still served its primary purpose, reheating leftovers and popping popcorn – there was no real need to replace it.

And I was right about this, right up until the moment I wasn’t, one Sunday evening when I popped some mac and cheese into the microwave and pressed the button, ignoring the odd noise it made until I noticed the aggressive odor of something burning, something that was definitely not my late-night snack.

I turned off the microwave, which is built in, and learned some useful things. A child who thinks their house may be on fire can locate and evacuate four pets at a remarkable speed, even allowing time to call the fire department, who, if you’re lucky, will arrive at your home at a remarkable speed and, if you’re luckier, maneuver their hook and ladder onto a driveway shared by four houses without driving it across your front lawn the way every other neighborhood visitor does.

Of course, the lawn was not my concern when they arrived, it was the possibility that a fire was right now smouldering in a wall behind the microwave that I could not remove from its housing. The firemen graciously ignored the barking dogs in the yard and agreed that they would also sleep better knowing that whatever smoking was not going to erupt into an inferno later that evening, and carefully but quickly disassembled the microwave and removed it from the kitchen.

Where the microwave once was, there was now an empty cabinet, which is a nice thing to have, but since it neither reheats leftovers nor pops popcorn, I headed out a few days later to acquire a new microwave at one of the large home supply stores. I brought the measurements and the old microwave’s manual, and the salesperson informed me that getting something the right size would be a special order, which translates as: You are going to be without a microwave for three weeks.

As it happens, I was going to be without a microwave for longer than that, because when it finally arrived at the appointed time, it was entirely the wrong size.

This sounds like like a first world problem, and of course, it is, but the reality is that I live in the first world and it is a problem. I grew up without a microwave or, for that matter, a dishwasher, yet it has been many years since I lived without either of these conveniences, and my life is structured around having them, not cleaning the many extra dishes that must be washed when you cannot simply reheat food in the bowl from which you plan to eat it.

My grandmother could have had a microwave, and a dishwasher, if she’d wanted, but she didn’t want them and got along perfectly well without them for some ninety years, but that knowledge does not help me in my current predicament. What does help is this: Some evenings, I pull out my grandmother’s cast iron pan, and cook dinner in it. I marvel at its lightness – it is much lighter than cast iron pans you could purchase today – and at its perfect nonstick finish, the end result of years and decades of seasoning. It is a pan that could not be made in any factory, and that requires very little in the way of cleanup.

Mostly I use it for the kind of simple things she would have made, grilled cheese and eggs, but sometimes I get a little fancy. One evening I pulled out my copy of Patricia Wells’ Bistro Cooking, and gave her recipe for chicken with shallots a try. I loved the recipe’s utter simplicity, involving only one pan that everything is added to as the recipe progresses. The shallots are left whole, and acquire a nice sweetness as they simmer at the bottom of the pan, beneath the chicken. The shallots, tomato, and garlic cook together into a nice sauce, that can be mopped up with some nice crusty bread, if you have it, or poured over some rice or noodles, if you prefer.

I made some minor changes to the recipe, using canned tomatoes since I didn’t have fresh ones on hand, and omitting the flaming brandy step, because I’m not sure that my kitchen or my nerves are quite ready to have me playing with more fire at dinnertime.

My grandmother never went to France – in fact, she never rode on an airplane – though it’s always possible she watched Julia Child or attempted some French recipe she found in the local newspaper. But she would have been pleased that her old pan was used to cook it, and the next day, to reheat the leftovers, too.

Bistro Chicken with Shallots

Bistro Chicken with Shallots
 
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Author: adapted from Patricia Wells, Bistro Cooking
Ingredients
  • 3 tbsp olive oil
  • 1 tbsp butter
  • 3 lbs chicken pieces, skin-on and bone-in
  • 2 cups shallots, peeled and left whole
  • 3 garlic cloves, peeled and left whole
  • 1 15-ounce can diced tomatoes
  • cooked rice or buttered noodles for serving
Instructions
  1. Heat a heavy skillet over high heat, and add the oil and butter. Season the chicken liberally with salt and pepper, and when the oil in the pan in shimmering, add chicken pieces and brown on both sides, about 5 minutes per side. Be careful not to crowd the chicken; you may need to work in batches.
  2. Reduce the heat to medium-high, and add the shallots and garlic cloves to the pan, as well as any chicken set aside if you browned in batches. Cover the pan, and let the chicken simmer, shaking the pan from time to time, until the chicken is cooked through, about 20 minutes.
  3. Add the tomatoes to the pan and simmer until the sauce is well blended, five to ten minutes.
  4. Serve the chicken on a bed of rice or noodles with plenty of the sauce spooned over.
Notes
If you feel brave, you can add cognac before adding the tomatoes. To do so, put 2 tbsp cognac into a small saucepan, and heat it for about 30 seconds over medium heat. Ignite with a match, then pour over the chicken. Continue with the remaining recipe steps.
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Categories // The Joy of Cooking Tags // chicken, meat

The Marmalade Chronicles

03.31.2016 by J. Doe // 1 Comment

I had a goal: To create classic English marmalade. I had everything lined up: I bought a special jam-making pan; I researched recipes in cookbooks and on the internet.

Bitter oranges, I told my father, Procurer of the Finest Fruit: Seville.

A case of the finest Satsuma mandarins arrived.

Satsumas are not the foundation for classic English marmalade, but they are very tasty, and since you can make marmalade out of pretty much any citrus, I did. I used Alton Brown’s recipe, which came up on Google when I searched “Satsuma Marmalade” but oddly includes no mention of Satsumas on the page itself.

The recipe was easy enough to make, and included unnervingly specific temperature details that I don’t usually see on jam recipes, and since I am nothing if not a rule-follower when it comes to recipes, I got out my candy thermometer and did what Alton told me to.

The marmalade not only declined to set at the temperature specified, it steadfastly continued to refuse for some time, even when I reluctantly allowed the temperature to climb higher. I tested it repeatedly on a chilled plate, nervous that I might ruin the recipe by not following it precisely, even though I’ve never used a thermometer in the past when making jam – only the chilled plate test.

When the marmalade seemed to have sort of set – meaning it didn’t run in a thin stream off the chilled plate when tested – I put it into sterilized jam jars.

The next morning, I tipped one of the jars on the counter, to see if it had set. The marmalade sloshed around soupily.

So did the chilled marmalade in my refrigerator.

So much for marmalade; so much for science.

I left the jars – nine of them – on the counter of my kitchen that I put things I don’t really feel like dealing with, and debated whether I should just dump the marmalade and use the jars for something else, or give the marmalade to friends who would appreciate a tasty, if slightly runny, preserve.

After I made the Satsuma Marmalade, I did some research online and found a source for Seville oranges. The window of opportunity to obtain Sevilles is relatively short – basically, you can get them for a few short months in the winter, and that’s it. I ordered a box from The Florida Orange Shop. I debated ordering multiple boxes – how many Seville oranges do you need to make marmalade? I didn’t know, but I do now: not that many. The box contained enough for two full batches of marmalade – about 18 eight-ounce jars – which turned out to be just the right amount, because what seemed like a simple exercise in jam-making turned into a series of somewhat humbling learning moments.

The Orange Shop ships once a week, on Fridays, and although I thought I had placed my order in time to receive the oranges sometime the following week, I didn’t, which meant my oranges were delayed a week, which, in turn, meant the oranges arrived just as we were getting ready to leave for a week’s vacation.

Fortunately, I tend to hyper-organize right before I leave on a trip, so that I usually find myself with nothing in particular to do the night before we actually fly somewhere.

Making marmalade struck me as a perfectly reasonable way to spend such an evening; making Seville orange marmalade would be a perfectly reasonable choice if I planned my jam-making the way I plan trips. There is, unfortunately, very little I plan in such detail as a trip, certainly not jam-making, something at which I fancy myself fairly adept.

I used the recipe from the generally reliable Wednesday Chef, which involves removing the orange peels, slicing them fine, squeezing the juice from the flesh, then de-seeding and chopping the flesh, adding it all to the sliced peels with water, and letting it soak for 24 hours. Then a long simmer, and finally, sugar and jam. I was a bit perplexed by some of the directions: It seemed odd to soak the oranges in water that is then used to cook the oranges – even if the soak removes some bitter elements, wouldn’t the water retain them? Of course, I had not allowed myself time for a 24-hour soak, but since it seemed a bit unnecessary in any case, I thought it safe to skip this part of the recipe.

Even taking this shortcut, I found myself pressed for time. Slicing the peels takes a certain amount of time, but de-seeding the fruit is a real exercise in patience. You cannot comprehend the true greatness of a seedless orange until you have attempted to de-seed a Seville, whose seeds are as plentiful as the sand on the beach to which I was headed, and also as difficult to completely remove.

I cooked the peel for the exact time specified in her recipe – 45 minutes. At that point, the peel was mostly soft and mostly translucent, so I added the sugar, cooked it all until it reached the set point – as measured by a chilled plate – then poured it all into sterilized jars and sealed them. It didn’t taste like much; the marmalade had a very intense bitterness that made me think that perhaps this was one of those hip foodie things like kale that everyone pretends to like, even though nobody actually does.

I left the jars to cool, put the remaining half box of oranges in the fridge, and boarded a plane to Mexico.

When I returned a week later, the oranges in the refrigerator were still good, and since bitter oranges aren’t good for eating, I decided to experiment with one final batch of marmalade. This time, I went to the source of Wednesday Chef’s recipe, which is a recipe from Nigel Slater, and although the two recipes are somewhat similar, there were some important differences.

Although Slater also starts by removing the peel from the oranges and keeping the fruit whole, he mercifully makes no effort to de-seed the orange flesh after squeezing the juice in. Instead, the orange seeds and pulp are placed into a muslin bag, cooked with the peel, then removed and discarded. This was a much easier process, for which I unimaginably grateful. I juiced the oranges over a strainer, to catch all the seeds, then bundled up all the orange and seeds in pieces of cheesecloth, which worked quite nicely.

Slater also recommends a 24 hour soak; this time, I complied, and since I had plenty of time, I also didn’t rush the cooking. Instead, I simmered the peel until it was, as instructed, completely soft, and there was a point at which I bit into a peel and there was a marked, unmistakeable change in the degree of bitterness. It took about an hour and a half. At this point, I added the sugar, and it took another half hour or so until the marmalade jelled. The marmalade was more translucent than the first batch, but more to the point, it tasted like classic English marmalade – mostly sweet but with a nice bite to it.

Where I deviated from Slater’s recipe was in the ingredients: I didn’t have a lemon, so I omitted it. He calls for 12 oranges, but even if I’d had that number, my oranges ranged quite a bit in size, so I had no idea how much orange was really being called for. Since I had exactly half of the oranges remaining, I used the volumes called for in the Wednesday Chef recipe.

A friend of mine stopped by while the second batch of Sevilles was simmering, and so we chatted for a bit about jams, and I asked for her opinion on salvaging the satsuma marmalade, holding a jar upside down to show her the problem.

She said, it looks set to me.

We turned it upside down again: still set.

I gave her a jar of mysteriously set marmalade, followed by two more jars, one from each batch of Seville marmalade, and asked her to taste-test. After her initial feedback, and considering the fact that I now had more than thirty jars of marmalade on my counter, I posted a request for taste-testers on Facebook, and sent jars to foodie friends near and far. I received detailed feedback from three of them: Lori, a neighbor and fellow jam-maker; Bill, a high school friend and foodie; and Dorina, a former investment bank colleague turned professional pastry chef.

The results, inevitably, were not what I expected.

Lori adored the Satsuma marmalade, describing the taste of it as being like walking through a citrus grove on a sunny day. Dorina and Bill felt otherwise, finding it too loose and too sweet. Dorina made the helpful suggestion that adding a sharper citrus would brighten up the flavors and cut through some of the sweetness, a suggestion I thought would help a lot.

Similarly, Lori didn’t care for the first batch of Seville marmalade at all. The initial bitterness is nice, she said, but there’s a bitter aftertaste that is very unpleasant. Dorina, on the other hand, liked its flavor the best, but found the texture “too hard” – too much peel, not enough jelly. She also noted (correctly, based on Lori’s comments) that the general public might find it a bit too intense. This was Dorina’s favorite in terms of taste. Bill liked this batch too, and praised the level of bitterness, calling it an adult take on marmalade.

Lori liked the second batch of Seville, which was my preferred batch, and pronounced it Just Right – just the right amount of sweetness and bitterness, and a much more pleasant texture, presumably due to the softer peel and the removal of the orange flesh. Dorina praised the texture as well, but found it overly sweet, a problem that was likely caused by omitting the lemon called for in Slater’s recipe. Bill pronounced this one also very good overall, but commented on the fact that the peels had floated to the top, making it a bit fiddly to scoop out a good jam to peel ratio. Dorina remarked on this issue in all the marmalades, but it was most pronounced in the second batch of Seville.

Dorina also amusingly assumed I was asking for input because I was thinking of marketing small-batch marmalade, which isn’t a bad idea if I can perfect my recipes.

I learned quite a bit, although much of it was, not surprisingly, things I already know or that should have been obvious. First, take care when tinkering with recipes: a recipe that calls for a long, slow simmer probably does so for good reason, so that’s not a good place to take a shortcut. Similarly, omitting the lemon from the second batch of Seville was not a good idea, as it would have lent exactly the tartness one of the tasters said was missing.

Second, a candy thermometer and a kitchen timer are useful tools, but they aren’t a substitute for your senses. I could see perfectly well the Satsuma wasn’t quite set, regardless of what the thermometer said; similarly, I knew the peel in the first Seville attempt wasn’t quite ready yet, regardless of the amount of time the recipe should officially have taken.

Third, when something tastes off, it probably isn’t me just being self-critical, it is off – or at least, it is to me. My friends’ responses reminded me how very personal one’s food preferences are. Maybe there’s a place for kale after all, even if it isn’t on my own dinner plate.

The most useful reminder I got was this: Many food mistakes can be salvaged with a little creativity. Lori didn’t care for the first batch of Seville on her morning toast, but emailed me a few days later to say that with the addition of a bit of mustard, vinegar, and oil, it makes a delightful dressing for spinach salad. Bill made a similar observation about the not-quite-set Satsuma marmalade. Both of them got me thinking about other ways I could use the marmalade, or even the possibility of gifting something I considered a failure, with a recipe card included.

 

Categories // The Joy of Cooking Tags // jam

Fresh Mint Ice Cream

03.28.2016 by J. Doe // Leave a Comment

Our evenings settle into a routine: I drive The Child home from school, and we review her assignments together. She settles in to work on the sofa, where she cannot start goofing off under my watchful eye. She discovers that lists are helpful, crossing things off is satisfying, and that being organized can be glamorous when you do it in an elegant Kate Spade organizer.

I offer her leftovers and encouragement, and when it isn’t raining too hard, walk either the Red Dog or the Foster Dog, who has been with us far too long. He  spends his nights on her bed, quietly looking out her window and smelling the night air through the screen, and she is quieter too, and seems more rested in the mornings, when we start the routine all over again.

Every few days, I make a treat: Blondies to snack on, or a simple cake, and when I am feeling especially inspired, some ice cream.

I found this simple recipe in a review copy I received of Yossy Arrefi’s cookbook Sweeter off the Vine, a pretty book dedicated to using seasonal fruit and herbs to best advantage. I’d planned to try out his recipe for Spiced Rhubarb Compote, but my rhubarb doesn’t seem inclined to offer me any usable quantities yet.

I don’t have any herbs in my garden yet, either, but the idea of mint ice cream with chocolate chips was enticing, comforting. Some of my early memories of my grandfather involve family trips to the Baskin-Robbins store in our little Wisconsin downtown, then walking home with him and a bright green scoop atop a cone. I don’t recall when those visits stopped, or know quite the moment when we stopped walking downtown, but ever since then, a trip to Baskin-Robbins is a trip down memory lane, paved in bright green bricks.

This ice cream isn’t bright green, though even Arrefi concedes that it’s okay if you put a little green food coloring in, if it makes you happy. I was happy enough to leave it out.

My past efforts with mint have been somewhat disastrous; probably my most memorable failure – memorable in the sense that twenty years after the attempt, I still shudder at the taste – were some homemade oreos with mint filling. They were, in a word, revolting, with so much mint that they upset my stomach for days. I probably did something wrong, but it doesn’t matter – I’ve had an aversion to mint extract ever since.

But mint leaves are another matter, just simple leaves with a pleasing, not overbearing scent. The ice cream uses quite a lot of them – a full cup – but the proportions are perfect when the leaves are steeped a few hours in the cooling custard. The resulting mint taste is light and fresh, with a surprising grassiness that takes a moment to get used to, but then becomes a welcome addition to the fresh, creamy taste.

Arrefi adds creme fraiche to his recipe, but I didn’t have any, so I skipped it, and though I could see it adding a nice tang and a bit more complexity, sometimes simple is nice too (especially where childhood memories are concerned). He also uses cacao nibs, but since I had a giant bar of chocolate from Trader Joe’s, I chopped up a chunk of it instead. I doubled the amount of chocolate from the original recipe, mostly because I chopped up too much chocolate, but it felt like the exact right amount so I wouldn’t change it. Finally, Arrefi’s recipe said to add salt, but didn’t specify a quantity, so I added a half teaspoon and it felt about right.

The Child loved this, and suggested that although I fancy myself a good jam-maker, I should probably consider going into the ice cream business. It’s because she liked it so much that my photo is so lousy: I had to stop her from eating the last bit in the freezer so that I could get any picture at all.

Fresh Mint Ice Cream

Fresh Mint Ice Cream
 
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Author: Slightly Adapted from Yossy Areffi, Sweeter off the Vine
Ingredients
  • 1 cup loosely packed fresh mint leaves, coarsely chopped
  • 4 egg yolks
  • 2 cups heavy cream
  • 1 cup whole milk
  • ⅔ cup sugar
  • ½ tsp salt
  • ½ cup finely chopped dark chocolate, or mini chocolate chips, as you prefer
Instructions
  1. Whisk together the egg yolks in a small bowl, and set aside.
  2. Combine the cream, milk, sugar, and salt, in a medium saucepan. Heat over medium heat, whisking occasionally, until the liquid is hot and small bubbles appear on the edges. Pour about a cup of the hot milk into the egg yolks in a thin stream, whisking constantly, Pour the hot egg yolk mixture back into the cream in the pan, again, whisking constantly.
  3. Cook the mixture over medium heat, whisking and being careful not to let it boil, until it is thick enough to coat the back of a spoon. Remove from the heat and stir in the mint leaves, then let the leaves steep in the mixture as it comes to room temperature. Cover the pan and place the cooled mixture in the refrigerator to chill, for at least four hours.
  4. When you are ready to churn the ice cream, pour the custard through a sieve or strainer to remove the mint leaves, pressing on them to extract all the liquid. Freeze in an ice cream maker according to the manufacturer's directions, adding the finely chopped chocolate in the last few minutes of churning.
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Categories // The Joy of Cooking Tags // chocolate, dessert, ice cream, mint

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